In her recent Baptist News Global piece, Hidden pencils, urgent warnings and instructions Mary Oliver left the Church, Carol Davis Younger offered a lovely tribute to poet, Mary Oliver, and an insightful exhortation to the church to approach “Scripture – and our world – with the holy curiosity and expectancy Oliver did when she went to the woods and to the shore.” As Younger shared her experience with Upstream, I caught my breath and embraced the mutuality of our stories, our experiences, and perhaps our feelings – Mary Oliver’s, Younger’s, and mine.
I too became better acquainted with Mary Oliver through her collected essays in Upstream. I was drawn to the book, so much so that I paid full, independent bookstore price for it. Something I rarely ever do! I had admired Mary Oliver as a poet and was curious as to her prose. Being a woods wanderer and stream jumper, the title Upstream, and its connotation of going against the flow, which I often do, piqued my interest. The cover photo looked like a place I would enjoy. I fully understand Younger’s response to the essay, “Power and Time.” As I read the essay, I felt that I was personally being both affirmed and admonished. I am keenly aware that my creative self needs solitude, a place apart, without interruptions. Oliver buoyed my spirit with her affirmation of this then promptly admonished me for being my own primary interrupter.
But just as often, if not more often, the interruption comes not from another but from the self itself, or some other self within the self, that whistles and pounds upon the door panels and tosses itself, splashing, into the pond of meditation. And what does it have to say? –Upstream, page 23
For me it says that I need to attend this civic meeting, that I should give my wife more time and attention, that I must do my share of home maintenance. Returning to the creative work often finds that the spark of an idea has dimmed and the flow of words has dried up. In the creative work we can be, and probably are, our worst impediment.
Oliver tells me that the “machinery of creativity” can’t be controlled or regulated. I believe it! More times than I want to recount I have awakened in the wee hours of the morning with an idea or a string of narrative going through my head. Over time, I have learned it is best that I go ahead, drag myself out of bed, and write it down for I will not be able to sleep if I don’t.
For me, as perhaps for Anderson, Oliver’s most unsettling words are:
The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time. — Upstream, page 30
I most assuredly will join Anderson as a “candidate for future regret” as I see a bouquet of withered buds of exciting ideas and plans that failed to blossom because I did not nurture them with power and time. I suppose my task going forward is to recognize the tiny buds of creative thoughts and ideas and give them their needed power and time. I suspect it will be an erratic path even in all my efforts to “keep my eyes on eternity,” reject the responsibilities that have claimed me, and discard the “many heavy coats” that burden.
My prayer, with a bit of assist from Mary Oliver, as I move forward is:
In my wild and precious life
May I stay forever in the stream.
May I pay attention and find my devotion.
May I be astonished at the profound simplicity of our natural
Even as I marvel at its intricate complexities.
May I be humbled by its majesty.
May I revere the fruit of the earth-the grass, the flower, the tree.
May I respect the creature — the minuscule and the mighty.
May I glorify the Creator of it all and be grateful.
May I hear the silence that calls to me.
May I feel the rippling waters.
May I stay forever in the stream.
Whether with voice or pen in hand, may I tell about it all.